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Hustlers review: The female-led heist movie we’ve been waiting for

It’s troublesome to think about that any film in theaters this yr can be extra sheer, rollicking enjoyable — or extra fabulous, or extra stuffed with feeling — than Lorene Scafaria’s Hustlers. Primarily based on Jessica Pressler’s “The Hustlers at Scores,” the movie upends expectations on a number of ranges, offering the strippers at its heart with the company of which they’re often robbed on display, in addition to punching above the emotional weight you may anticipate for a movie a couple of hustle gone incorrect.

The true-life occasions the film portrays happened within the late 2000s, as the worldwide monetary disaster pulled the rug out from beneath the intercourse trade and led a gaggle of strippers to show to conning their rich shoppers to herald cash. The rise and fall is pretty minimize and dry — no rip-off can final endlessly — however something seemingly formulaic about Hustlers is counteracted by simply how confidently it’s directed and carried out, in addition to how grounded it’s in each an oft-ignored trade and a frighteningly current historical past.

The story is informed in flashbacks as Future (Constance Wu) relays the occasions to a journalist (Julia Stiles), speaking by way of issues from her early expertise as a stripper, the golden days after Ramona (Jennifer Lopez) took her beneath her wing, the crash, and the chaos that adopted. From Hustlers’ first moments, by which Future encounters Ramona in a scene that rivals any of the nice romantic introductions in cinema, full with sluggish movement, it’s clear that the ladies maintain all the facility, slightly than being objects to be leered at, saved, fridged, or used as set dressing.

Destiny (Wu) is wrapped up in Ramona’s (Lopez) giant fur coat.

Ramona (Lopez) takes Future (Wu) beneath her wing.

The movie additionally isn’t restricted by the buddy-heist style’s sense of machismo. Quite, it performs absolutely into the best way the road between platonic love can border upon the romantic in such intense partnerships with out having to introduce opposite-sex love pursuits for the sake of heteronormativity. This isn’t to say that Hustlers is an out-and-out love story, nevertheless it deftly hits the emotional peaks and valleys of Warmth and Level Break, to the purpose that, in Scafaria’s palms, Usher’s “Love in This Club” transforms from a tacky membership banger to a chill-inducing, triumphant ode to the halcyon days, and the inevitable dissolution of issues turns into totally heartbreakingy.

Admittedly, the movie is often a bit heavy-handed in relation to explaining simply the place these ladies are coming from — a tense second between Future and Elizabeth entails Future probing Elizabeth’s privileged background and the best way she’s by no means needed to fear about cash — nevertheless it’s heavy-handedness for a worthy trigger. Future’s insistence, as an example, that Elizabeth’s piece not painting all strippers as scammers and reinforce unfavorable stereotypes concerning the occupation, feels necessary to make. Strippers and intercourse employees are sometimes incidental in blockbusters slightly than fundamental characters; now that they’re within the highlight, so are the misconceptions (and preconceptions) about them.

On the opposite facet of the coin, as troublesome as it’s to root in opposition to Future and Ramona, Scafaria doesn’t draw back from making it clear that they’re not precisely committing victimless crimes. The secret’s simply that we all know the place these ladies are coming from.

Annabelle (Lili Reinhart), Ramona (Lopez), Mercedes (Keke Palmer), and Destiny (Wu) pop open a bottle of champagne.

The ladies of Hustlers rejoice.

If something, the movie, primarily based on a real story, feels extra like the feminine reboot of a franchise than any of the particular remakes and reboots in that vein that we’ve gotten (Ocean’s 8, Ghostbusters, Males in Black: Worldwide, and so forth.) in that it tells the sort of story often reserved for males with a solid full of girls. In contrast to these makes an attempt, Hustlers by no means as soon as feels prefer it’s simply “a heist movie but with women;” it’s a full-fledged epic, made by and about ladies, and proof constructive that female-centered movies can flourish with out being primarily based on a pre-existing male-based IP.

It’s additionally exceptional watching a occupation that’s typically the topic of a lot leering (i.e. the male gaze) turn out to be nearly un-fetishized. Even the worst costumes — the 2000s have been a black gap for style, everyone knows this — don’t really feel like issues to be gawked at a lot as battle armor, and male characters are nearly nonexistent. Only some of the lads have names, and of these, barely any have greater than a line or two.

Hustlers feels each previous and new in that respect; it’s doing one thing that Hollywood has tried earlier than, however does it so effectively that it feels solely novel. It’s additionally a defining efficiency from Lopez, who is totally magnetic because the ringleader of the group. Via her, we perceive why Ramona was so charming for Future, but additionally lower than prepared to indicate vulnerability in a demanding trade. Hustlers could not seem like stereotypical awards bait, however the subversion of expectations is a part of the purpose. Hopefully, the message can be clarion sufficient to hold the movie to success come awards season, which it richly deserves.

Hustlers opens in theaters Sept. 13.


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